In 2016, Me, Marleen and Marjan went to Spilimbergo to attend a color workshop with Dagmar Friedrich. Her approach differs from Marzia’s, because Dagmar works with tones that go together and less with complementary colors. Which ensures a ‘softer’ result. The day before, the annual biennale had just ended and we were lucky enough to get to see most of the works. That made up for the fact that we couldn’t be there just the day before.
